For a long time his shy personality, combined with a profoundly private conception of his artistic vision, made him eschew the public exhibition of his work, which was only shown privately. More recently, however, the success attained by his photographs on the occasion of public events such as the charity auctions The Art of Photography (London 1999) and Art and Charity (Sotheby's, Montecarlo 2007) persuaded him to extend his exhibiting activities to other venues. A solo exhibition devoted to the theme of industrial archaeology and entitled La vita sospesa delle cose ("The suspended life of things"), organised by Piccolo Museo Sereno, was held in May 2008 in the prestigious venue of the Società Umanitaria, in Milan, to public and critical acclaim. His latest solo exhibition, Metamorphosis (on the transformation of the textile industry in the Northern-Italian city of Biella, home to world-known names such as Zegna and Barberis-Canonico) was equally successful.
2009-2010 Shows:
- Argenta (Ferrara) from October 24th to November 9th
- Nhow Hotel via Tortona Milan -From november 2009 to March 2010
- Boscolo Exedra Hotel Milan - From April 2010 to May 2010. In collaboration with Artnetworth

Lyle Roblin on photography

My first camera was my grandfather's 1920s Eastman Kodak Landcamera and as a 10-year-old I had a great time with it. I shoveled snow to buy film for it!
For many years now I have used the "noble" Pentax 6x7 medium format camera along with a 90 mm lens, which I find comes closest to matching my eye without distortion, and like the relation of height to width. It reminds me of the classic format of early cinema productions and because of its weight it feels like a small movie camera. I love the wooden grip and final commanding sound of the shutter.

I was very stubborn to try digital, but I eventually did. I now use it when appropriate, and am very happy with the results. It is especially handy when you run out of film or can't find the film for the 6x7.

Digitally, I do most post production myself, and with film I have negatives drum-scanned and preserved digitally. I prefer digital printing for most large format projects.

I work very closely with my labs in the final printing process and I am interested in experimenting in new techniques and original ways of presenting show prints.

As for the color saturation which characterizes my photography, the "old school" way of creating more contrast or saturation was to mount a polarizer etc. on the lens. Now I control contrast, saturation etc. with the computer, to get the best possible result, but always try to match the final prints to the recollection of how the image presented itself the first time I experienced it, and always, if possible, take the time to photograph the subject in the best possible flattering light.

The photographs featured in the "Vita Sospesa delle Cose / The suspended life of things" are a mixture of film and digital. All prints are inkjet, mounted on 18 mm mdf board with a unique protective finish which adds intensity to the final print.